“The Face of the Buffalo”: Interspecies Relationality in Nawal El Saadawi’s God Dies by the Nile

Abstract

In several interviews, the Egyptian American writer and feminist Nawal El Saadawi has emphasized her commitment to women’s rights and gender justice in Africa and the Arab world. However, there is hardly any reference regarding her engagement with animals. Yet her writing is replete with animal subjectivity. Therefore, this paper examines animal representations in El Saadawi’s God Dies by the Nile by unearthing what we conceptualize as her “complex animal imaginary,” a concept encompassing the anthropomorphic and zoomorphic currents in her novel. Although her narrative language constitutes and conveys such vocabularies, this hardly undermines El Saadawi’s recognition of interspecies relationality and how central the nonhuman is to the flourishing of humans. As such, we highlight her register of animality that presents humans in zoomorphic imagery, stressing that this strategy not only makes legible human suffering but also flattens animal subjectivity, thereby reducing the buffalo, named Aziza, in this case, to a figure of abjection. However, we argue that this representational strategy neither erases animal vitality nor reinscribes speciesism. But instead, it uncovers animal suffering in society. By focusing on interspecies relationality in God Dies, we amplify El Saadawi’s contribution to ongoing conversations on animal studies, postcolonial ecocriticism, and posthumanism.