A Survey of Representations of Transnational Crime in South African Crime Fiction

Adaptations, Anxieties, and Geopolitics of Agatha Christie's Appointment with Death

(Mis)recognition and the Muslim Detective in Jakob Arjouni's Kayankaya Crime Series

Inheritance and Postcolonialism in Irish Crime Writing

The Negro Absoluto Collection and the Relocation of a Genre

Reading and the Politics of Space in Leonardo Padura's Havana Quartet

Returned Anglo-Indians and the Representation of National Identity in Arthur Conan Doyle's The Sign of Four

Reading Sherlock Holmes in India

Edited by Anja Oed and Christine Matzke