Delos: A Journal of Translation and World Literature
https://journals.upress.ufl.edu/delos
<div class="layoutArea"> <div class="column"><a href="https://journals.upress.ufl.edu/delos/CFP23">Call for Papers</a></div> <div class="column"> </div> <div class="column"><em>Delos: A Journal of Translation and World Literature </em>is now in its third series. Its editorial staff are from the University of Florida, as are many of those serving on its board and realizing each new volume. We welcome contributions from anywhere in the world.</div> </div> <div class="column"> </div> <div class="column"> <blockquote class="templatequote"> <p>Delos, if you … have the temple of far-shooting Apollo, all men will bring you hecatombs and gather here, and incessant savor of rich sacrifice will always arise, and you will feed those who dwell in you from the hand of strangers.</p> <div class="templatequotecite"><cite>— <em>Homeric Hymn to Delian Apollo</em> 51–60</cite></div> </blockquote> </div>University of Florida Pressen-USDelos: A Journal of Translation and World Literature0011-7951<p>Copyright for articles and reviews rests with the authors. Copyright for translations rests with the translator, subject to the rights of the author of the work translated. The University of Florida Press will register copyright to each journal issue.</p>Passage. Kammerspiel
https://journals.upress.ufl.edu/delos/article/view/3105
<p>The chamber play <em>Passage</em> by the East Berlin author Christoph Hein was originally published in 1987 in the GDR’s theater journal, Theater der Zeit, and has been reprinted several times since. It opened nearly simultaneously in Dresden, Essen, and Zürich in the fall of 1987 and had its US premiere in Las Vegas, in an earlier version of this translation, in November 2017.</p>Christoph HeinHenry Pickford
Copyright (c) 2025 University of Florida Press
2025-06-102025-06-10392187–251187–25110.5744/delos.2024.2002Amurgul Gîndurilor
https://journals.upress.ufl.edu/delos/article/view/2610
<p>Emil Mihai Cioran wrote <em>Amurgul gîndurilor </em>(<em>The Twilight of Thoughts</em>) in Paris in the 1930s as one of his last works, along with <em>Îndreptar patimaş </em>(<em>The Passionate Handbook</em>), in his native Romanian before switching to French<em> (Amurgul </em><em>gîndurilor</em>, Sibiu: Dacia Traiana, 1940). This may have been not so much for the supposed greater analytic clarity of French prose as an escape from the mindset of an unreflected-on native language with its inevitable conceptual constraints. These final Romanian texts are rightly seen as harbingers of what was to come in his work written in French.</p>William SayersEmil Mihai Cioran
Copyright (c) 2025 University of Florida Press
2025-06-062025-06-06392252–267252–26710.5744/delos.2024.2003Thinking Fish in the Water
https://journals.upress.ufl.edu/delos/article/view/3107
<p>The intensity of the relationship between fish and water emerges forcefully in the small selection of English language poems that form the literary corpus for this essay. These well-known poems, dating from 1923 to 1983, include Lawrence’s aforementioned “Fish,” the poem on which I will focus most intensely, Elizabeth Bishop’s “The Fish,” and three of Ted Hughes’s poems: “Pike,” “October Salmon,” and “Salmon Eggs.” Across these poetic works, fish are characterized by a tenacious vitality that opens on to an alterity at once ontological, epistemological, and temporal. These poetic pike and salmon, by turns aloof, sensuous, noble, fatalistic, and menacing, offer a telling unfathomability that captivates the poets as much as it estranges. It is precisely this unfathomability that makes the human attempt to grasp fish essence or fishness such a critical issue within animal studies and the environmental humanities. Engaging with aquatic life forces us to pose those crucial questions that Kari Weil formulates as follows: “how to understand and give voice to others or to experiences that seem impervious to our means of understanding; how to attend to difference without appropriating or distorting it.” Together Lawrence, Bishop, and Hughes attempt this work of engagement with fish being or what it is to live as a fish, succeeding, at times, in their efforts to “attend to difference,” but also failing frequently, and, more importantly, failing in ways that illuminate humanity’s efforts to engage with animal alterity as a whole.</p>Deborah Amberson
Copyright (c) 2025 University of Florida Press
2025-06-102025-06-10392268–286268–286A Sceno do Odio
https://journals.upress.ufl.edu/delos/article/view/3108
<p>José Sobral de Almada-Negreiros was born on April 7, 1893 in the Portuguese colony of São Tomé and Príncipe. He was a multidisciplinary artist whose extraordinary work as a poet and painter have had a lasting influence on Portuguese culture. In addition to literature and painting, Almada-Negreiros also created ballet choreographies, tapestries, engravings, murals, caricatures, mosaics, azulejo paintings, and stained-glass work.</p>José de Almada-NegreirosDavid Swartz
Copyright (c) 2025 University of Florida Press
2025-06-102025-06-10392287–330287–33010.5744/delos.2024.2005“Uma Simples Flor nos Teus Cabelos Claros”
https://journals.upress.ufl.edu/delos/article/view/2647
<p>English translation of 'Uma simples flor nos teus cabelos claros' by José Cardoso Pires.</p>Paul Melo e CastroJosé Cardoso Pires
Copyright (c) 2025 University of Florida Press
2025-06-062025-06-06392331–342331–34210.5744/delos.2024.2006Exploring a World of Tranquility and Freedom
https://journals.upress.ufl.edu/delos/article/view/3109
<p>Lan Du, an emerging novelist from Inner Mongolia in northern China, is known for her magical realism, modern narrative, and imaginative style. “Uneg the Fool Disappeared” is a short story first published in <em>Harvest</em> (2019), the premier literary journal in China. The tale blends poetic language and vivid imagination, weaving together elements of vitality and languor to create a unique narrative tapestry. Set against the grasslands of Inner Mongolia, a place teeming with untamed beauty and natural vigor, the story centers on Uneg, an alienated protagonist. Born with an inherent wildness and primal force, Uneg encounters hostility from townsfolk who fear change and nature. The narrative follows a destiny marked by the theme of “alienation-conflict-return to nature.”</p>Lan DuYuan Tao
Copyright (c) 2025 University of Florida Press
2025-06-102025-06-10392343–365343–36510.5744/delos.2024.2007“Nuits partagées” by Paul Éluard
https://journals.upress.ufl.edu/delos/article/view/3110
<p>Paul Éluard (1895–1952) authored more than thirty poetry collections, including <em>Capitale de la douleur</em> (1926) and <em>La rose publique</em> (1934). With André Breton, Éluard coauthored the seminal surrealist work L’immaculeé conception (1930). He also published short collections in which his poetry is accompanied by the visual art of surrealist artists such as Max Ernst, Joan Miró, and Pablo Picasso. In addition, he wrote essays and produced anthologies and translations. Along with André Breton, Phillipe Soupault, and Louis Aragon, he developed the surrealist movement as it grew out of Dadaism and remained steadfast in his commitment to it until 1938, when he left the movement. A veteran of World War I, during the 1920s and 1930s he became a committed Communist and anti-fascist. In 1942, the Royal Air Force dropped thousands of leaflets of his poem “Liberté” (originally titled “Une seule pensée”) over occupied France. He became a hero of the Resistance. After the war, he embraced the cause of peace. He died of a heart attack in 1952. His funeral was sponsored by the French Communist Party and was attended by thousands of mourners. He’s buried in Père Lachaise cemetery in Paris.</p>Paul ÉluardRoss BelotSara Burant
Copyright (c) 2025 University of Florida Press
2025-06-102025-06-10392366–377366–37710.5744/delos.2024.2008Light Cream Pods
https://journals.upress.ufl.edu/delos/article/view/3115
<p><em>Light Cream Pods</em> is an installation-based artwork characterized by simultaneous interactions with calabashes (woody gourds) and virtual visual and audio occurrences through augmented reality (AR), artificial intelligence (AI), and animatronic sculptures, all housed in an architectural façade inspired by Tubali Hausa vernacular architecture. The artwork is part of the Creations Reaction’s series.</p>Fatimah Tuggar
Copyright (c) 2025 University of Florida Press
2025-06-102025-06-10392394–403394–40310.5744/delos.2024.2013Emigrés by Richard Scholar
https://journals.upress.ufl.edu/delos/article/view/3111
<p>Richard Scholar: <em>Emigrés: French Words That Turned English</em>.<br>Princeton UP, 2020.</p>Sylvie Blum-Reid
Copyright (c) 2025 University of Florida Press
2025-06-102025-06-10392378–381378–38110.5744/delos.2024.2009Columns by Nikolai Zabolotsky
https://journals.upress.ufl.edu/delos/article/view/3112
<p>Nikolai Zabolotsky. <em>Columns</em>. Translated from Russian by Dmitri<br>Manin. Introduction by Darra Goldstein. Arc Publications, 2023.<br>Paperback, 144 pages. $16.49. ISBN: 9781911469155</p>Anna Krushelnitskaya
Copyright (c) 2025 University of Florida Press
2025-06-102025-06-10392382–386382–38610.5744/delos.2024.2010Negro Mountain by C. S. Giscombe
https://journals.upress.ufl.edu/delos/article/view/3113
<p>C. S. Giscombe. <em>Negro Mountain</em>. University of Chicago Press, 2023. Paperback, 91 pages. $18.00. ISBN: 9780226829715.</p>James McCorkle
Copyright (c) 2025 University of Florida Press
2025-06-102025-06-10392387–390387–39010.5744/delos.2024.2011Finding My Shadow by Diego Bastianutti
https://journals.upress.ufl.edu/delos/article/view/3114
<p>Diego Bastianutti. <em>Finding My Shadow: A Journey of Self-Discovery</em>. Club Giuliano Dalmato, 2022. Paperback, 160 pages + 6 color illustrations. $30.00. ISBN: 9781777854447</p>Mary Watt
Copyright (c) 2025 University of Florida Press
2025-06-102025-06-10392391–393391–39310.5744/delos.2024.2012Preface
https://journals.upress.ufl.edu/delos/article/view/3104
<p>We are pleased to present<em> Delos</em> 39.2, which continues the journal’s commitment to fostering dialogue among languages, cultures, and literary traditions. This issue features a rich selection of essays, translations, and reviews exploring a diverse array of authors and themes. Many of the contributions stem from the Call for Submissions launched in issue 38.2, which initiated an in-depth reflection on topics such as Environmental Literature, the Literature of Migration, and Artificial Intelligence. At the same time, Delos maintains its open and interdisciplinary nature, welcoming contributions that span various genres and critical approaches, in keeping with the journal’s spirit.</p>Gabriele BellettiBenjamin HebblethwaiteRichard Gray
Copyright (c) 2025 University of Florida Press
2025-06-102025-06-10392v–viv–vi10.5744.delos/2024.2001Notes on Contributors
https://journals.upress.ufl.edu/delos/article/view/3116
Delos Editors
Copyright (c) 2025 University of Florida Press
2025-06-102025-06-10392404–407404–407