Delos: A Journal of Translation and World Literature https://journals.upress.ufl.edu/delos <div class="layoutArea"> <div class="column"><a href="https://journals.upress.ufl.edu/delos/CFP23">Call for Papers</a></div> <div class="column"> </div> <div class="column"><em>Delos: A Journal of Translation and World Literature </em>is now in its third series. Its editorial staff are from the University of Florida, as are many of those serving on its board and realizing each new volume. We welcome contributions from anywhere in the world.</div> </div> <div class="column"> </div> <div class="column"> <blockquote class="templatequote"> <p>Delos, if you … have the temple of far-shooting Apollo, all men will bring you hecatombs and gather here, and incessant savor of rich sacrifice will always arise, and you will feed those who dwell in you from the hand of strangers.</p> <div class="templatequotecite"><cite>— <em>Homeric Hymn to Delian Apollo</em> 51–60</cite></div> </blockquote> </div> University of Florida Press en-US Delos: A Journal of Translation and World Literature 0011-7951 <p>Copyright for articles and reviews rests with the authors. Copyright for translations rests with the translator, subject to the rights of the author of the work translated. The University of Florida Press will register copyright to each journal issue.</p> Passage. Kammerspiel https://journals.upress.ufl.edu/delos/article/view/3105 <p>The chamber play <em>Passage</em> by the East Berlin author Christoph Hein was originally published in 1987 in the GDR’s theater journal, Theater der Zeit, and has been reprinted several times since. It opened nearly simultaneously in Dresden, Essen, and Zürich in the fall of 1987 and had its US premiere in Las Vegas, in an earlier version of this translation, in November 2017.</p> Christoph Hein Henry Pickford Copyright (c) 2025 University of Florida Press 2025-06-10 2025-06-10 39 2 187–251 187–251 10.5744/delos.2024.2002 Amurgul Gîndurilor https://journals.upress.ufl.edu/delos/article/view/2610 <p>Emil Mihai Cioran wrote <em>Amurgul gîndurilor </em>(<em>The Twilight of Thoughts</em>) in Paris in the 1930s as one of his last works, along with <em>Îndreptar patimaş </em>(<em>The Passionate Handbook</em>), in his native Romanian before switching to French<em> (Amurgul </em><em>gîndurilor</em>, Sibiu: Dacia Traiana, 1940). This may have been not so much for the supposed greater analytic clarity of French prose as an escape from the mindset of an unreflected-on native language with its inevitable conceptual constraints.&nbsp; &nbsp;These final Romanian texts are rightly seen as harbingers of what was to come in his work written in French.</p> William Sayers Emil Mihai Cioran Copyright (c) 2025 University of Florida Press 2025-06-06 2025-06-06 39 2 252–267 252–267 10.5744/delos.2024.2003 Thinking Fish in the Water https://journals.upress.ufl.edu/delos/article/view/3107 <p>The intensity of the relationship between fish and water emerges forcefully in the small selection of English language poems that form the literary corpus for this essay. These well-known poems, dating from 1923 to 1983, include Lawrence’s aforementioned “Fish,” the poem on which I will focus most intensely, Elizabeth Bishop’s “The Fish,” and three of Ted Hughes’s poems: “Pike,” “October Salmon,” and “Salmon Eggs.” Across these poetic works, fish are characterized by a tenacious vitality that opens on to an alterity at once ontological, epistemological, and temporal. These poetic pike and salmon, by turns aloof, sensuous, noble, fatalistic, and menacing, offer a telling unfathomability that captivates the poets as much as it estranges. It is precisely this unfathomability that makes the human attempt to grasp fish essence or fishness such a critical issue within animal studies and the environmental humanities. Engaging with aquatic life forces us to pose those crucial questions that Kari Weil formulates as follows: “how to understand and give voice to others or to experiences that seem impervious to our means of understanding; how to attend to difference without appropriating or distorting it.” Together Lawrence, Bishop, and Hughes attempt this work of engagement with fish being or what it is to live as a fish, succeeding, at times, in their efforts to “attend to difference,” but also failing frequently, and, more importantly, failing in ways that illuminate humanity’s efforts to engage with animal alterity as a whole.</p> Deborah Amberson Copyright (c) 2025 University of Florida Press 2025-06-10 2025-06-10 39 2 268–286 268–286 A Sceno do Odio https://journals.upress.ufl.edu/delos/article/view/3108 <p>José Sobral de Almada-Negreiros was born on April 7, 1893 in the Portuguese colony of São Tomé and Príncipe. He was a multidisciplinary artist whose extraordinary work as a poet and painter have had a lasting influence on Portuguese culture. In addition to literature and painting, Almada-Negreiros also created ballet choreographies, tapestries, engravings, murals, caricatures, mosaics, azulejo paintings, and stained-glass work.</p> José de Almada-Negreiros David Swartz Copyright (c) 2025 University of Florida Press 2025-06-10 2025-06-10 39 2 287–330 287–330 10.5744/delos.2024.2005 “Uma Simples Flor nos Teus Cabelos Claros” https://journals.upress.ufl.edu/delos/article/view/2647 <p>English translation of 'Uma simples flor nos teus cabelos claros' by José Cardoso Pires.</p> Paul Melo e Castro José Cardoso Pires Copyright (c) 2025 University of Florida Press 2025-06-06 2025-06-06 39 2 331–342 331–342 10.5744/delos.2024.2006 Exploring a World of Tranquility and Freedom https://journals.upress.ufl.edu/delos/article/view/3109 <p>Lan Du, an emerging novelist from Inner Mongolia in northern China, is known for her magical realism, modern narrative, and imaginative style. “Uneg the Fool Disappeared” is a short story first published in <em>Harvest</em> (2019), the premier literary journal in China. The tale blends poetic language and vivid imagination, weaving together elements of vitality and languor to create a unique narrative tapestry. Set against the grasslands of Inner Mongolia, a place teeming with untamed beauty and natural vigor, the story centers on Uneg, an alienated protagonist. Born with an inherent wildness and primal force, Uneg encounters hostility from townsfolk who fear change and nature. The narrative follows a destiny marked by the theme of “alienation-conflict-return to nature.”</p> Lan Du Yuan Tao Copyright (c) 2025 University of Florida Press 2025-06-10 2025-06-10 39 2 343–365 343–365 10.5744/delos.2024.2007 “Nuits partagées” by Paul Éluard https://journals.upress.ufl.edu/delos/article/view/3110 <p>Paul Éluard (1895–1952) authored more than thirty poetry collections, including <em>Capitale de la douleur</em> (1926) and <em>La rose publique</em> (1934). With André Breton, Éluard coauthored the seminal surrealist work L’immaculeé conception (1930). He also published short collections in which his poetry is accompanied by the visual art of surrealist artists such as Max Ernst, Joan Miró, and Pablo Picasso. In addition, he wrote essays and produced anthologies and translations. Along with André Breton, Phillipe Soupault, and Louis Aragon, he developed the surrealist movement as it grew out of Dadaism and remained steadfast in his commitment to it until 1938, when he left the movement. A veteran of World War I, during the 1920s and 1930s he became a committed Communist and anti-fascist. In 1942, the Royal Air Force dropped thousands of leaflets of his poem “Liberté” (originally titled “Une seule pensée”) over occupied France. He became a hero of the Resistance. After the war, he embraced the cause of peace. He died of a heart attack in 1952. His funeral was sponsored by the French Communist Party and was attended by thousands of mourners. He’s buried in Père Lachaise cemetery in Paris.</p> Paul Éluard Ross Belot Sara Burant Copyright (c) 2025 University of Florida Press 2025-06-10 2025-06-10 39 2 366–377 366–377 10.5744/delos.2024.2008 Light Cream Pods https://journals.upress.ufl.edu/delos/article/view/3115 <p><em>Light Cream Pods</em> is an installation-based artwork characterized by simultaneous interactions with calabashes (woody gourds) and virtual visual and audio occurrences through augmented reality (AR), artificial intelligence (AI), and animatronic sculptures, all housed in an architectural façade inspired by Tubali Hausa vernacular architecture. The artwork is part of the Creations Reaction’s series.</p> Fatimah Tuggar Copyright (c) 2025 University of Florida Press 2025-06-10 2025-06-10 39 2 394–403 394–403 10.5744/delos.2024.2013 Emigrés by Richard Scholar https://journals.upress.ufl.edu/delos/article/view/3111 <p>Richard Scholar: <em>Emigrés: French Words That Turned English</em>.<br>Princeton UP, 2020.</p> Sylvie Blum-Reid Copyright (c) 2025 University of Florida Press 2025-06-10 2025-06-10 39 2 378–381 378–381 10.5744/delos.2024.2009 Columns by Nikolai Zabolotsky https://journals.upress.ufl.edu/delos/article/view/3112 <p>Nikolai Zabolotsky. <em>Columns</em>. Translated from Russian by Dmitri<br>Manin. Introduction by Darra Goldstein. Arc Publications, 2023.<br>Paperback, 144 pages. $16.49. ISBN: 9781911469155</p> Anna Krushelnitskaya Copyright (c) 2025 University of Florida Press 2025-06-10 2025-06-10 39 2 382–386 382–386 10.5744/delos.2024.2010 Negro Mountain by C. S. Giscombe https://journals.upress.ufl.edu/delos/article/view/3113 <p>C. S. Giscombe. <em>Negro Mountain</em>. University of Chicago Press, 2023. Paperback, 91 pages. $18.00. ISBN: 9780226829715.</p> James McCorkle Copyright (c) 2025 University of Florida Press 2025-06-10 2025-06-10 39 2 387–390 387–390 10.5744/delos.2024.2011 Finding My Shadow by Diego Bastianutti https://journals.upress.ufl.edu/delos/article/view/3114 <p>Diego Bastianutti. <em>Finding My Shadow: A Journey of Self-Discovery</em>. Club Giuliano Dalmato, 2022. Paperback, 160 pages + 6 color illustrations. $30.00. ISBN: 9781777854447</p> Mary Watt Copyright (c) 2025 University of Florida Press 2025-06-10 2025-06-10 39 2 391–393 391–393 10.5744/delos.2024.2012 Preface https://journals.upress.ufl.edu/delos/article/view/3104 <p>We are pleased to present<em> Delos</em> 39.2, which continues the journal’s commitment to fostering dialogue among languages, cultures, and literary traditions. This issue features a rich selection of essays, translations, and reviews exploring a diverse array of authors and themes. Many of the contributions stem from the Call for Submissions launched in issue 38.2, which initiated an in-depth reflection on topics such as Environmental Literature, the Literature of Migration, and Artificial Intelligence. At the same time, Delos maintains its open and interdisciplinary nature, welcoming contributions that span various genres and critical approaches, in keeping with the journal’s spirit.</p> Gabriele Belletti Benjamin Hebblethwaite Richard Gray Copyright (c) 2025 University of Florida Press 2025-06-10 2025-06-10 39 2 v–vi v–vi 10.5744.delos/2024.2001 Notes on Contributors https://journals.upress.ufl.edu/delos/article/view/3116 Delos Editors Copyright (c) 2025 University of Florida Press 2025-06-10 2025-06-10 39 2 404–407 404–407